Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Henri Testelin
Colbert Presenting the Members of the Royal Academy of Sciences to Louis XIV in 1667

ID: 72078

Henri Testelin Colbert Presenting the Members of the Royal Academy of Sciences to Louis XIV in 1667
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Henri Testelin Colbert Presenting the Members of the Royal Academy of Sciences to Louis XIV in 1667


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Henri Testelin

(Paris, 1616 - The Hague, 1695) was a French art painter. Henri Testelin made portraits of Louis XIV, important persons and events at the French court . Several of his paintings can be seen in the palace of Versailles. The portraits, like the one of the young Louis XIV, show the influence of Jean Nocret and Le Brun. He was secretary of Royal Academy of Painting and Sculpture from 1650 and professor from 1656. In 1680 he published a book on art theory and the academy. Testelin was dismissed from the Academy in 1681, because he was proptestant. He left France and went to Holland.   Related Paintings of Henri Testelin :. | hambletonian,rubbing down | Expedition Disembark wide Harbour Hope | Kastanienallee in La Celle Saint Cloud | Herd on the move | Landscape with Peasants Resting |
Related Artists:
Helen Thomas Dranga
Helen Thomas Dranga (1866-1940), who is also known as Carrie Helen Dranga, was a painter who was born Carrie Helen Tufts in Oxford, England. She lived in Oakland, California from 1894 until 1900, when she moved to Hilo, Hawaii. Her paintings regularly appeared on the cover of Paradise of the Pacific magazine in the 1920s and 1930s. She lived in Hilo until shortly before her death in 1940. The Honolulu Academy of Arts and the Lyman House Memorial Museum (Hilo, Hawaii) are among the public collections holding works by Helen Thomas Dranga
Louis Moritz
painted Portrait of Jonas Daniël Meijer (1780-1834), jurist. in 1800-1834
KAUFFMANN, Angelica
Swiss Neoclassical Painter, 1741-1807 Swiss-born Italian painter. She began studying art in Italy as a child, showing great precocity, and in 1766 her friend Joshua Reynolds took her to London. There she became known for her decorative work with architects such as Robert Adam. Her pastoral compositions incorporate delicate and graceful depictions of gods and goddesses; though her paintings are Rococo in tone and approach, her figures are Neoclassical (see Classicism and Neoclassicism). Her portraits of female sitters are among her finest works.






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